Stan Lee Speaks Out in Video for Banned Books Week

Lately, I've been all about Marvel films. It started with Thor, the 2011 superhero movie starring Chris Hemsworth as the hammer-wielding title character. 

Stan Lee (left) with Chris Hemsworth, star of the 2011 Marvel film Thor.
Image via the interwebs

After watching Thor, I offered my none-too-favorable opinion of the film through a social media outlet. Almost immediately, friends whom I didn't know were comic book geeks chimed in, saying I had to watch the Marvel films in a certain order in order to fully understand and appreciate each one. Two of these friends even presented the chronological output of these films so that I could watch them in the order that they were released. From that point, there was no turning back.

Of course, there would be no Marvel films without Marvel Comics, the publishing powerhouse that releases comic books featuring Spider-Man, Iron Man, Thor, X-Men, and other now-iconic characters that were co-created by Stan Lee. Lee is undeniably the face of Marvel Comics, appearing at comic conventions and making cameos in films based on Marvel comic books, among other acts of publicity.

Lee is, not surprisingly, a huge proponent of the comic book as a medium. He sees comic books as integral to fostering a love of reading in children, who for decades have been engaged by comics' stunning visuals, larger-than-life characters, and gripping storylines. Lee also supports the freedom to read comic books, poo-pooing pushes throughout the years to ban them.

In a video produced by the American Library Association (ALA) and the Office for Intellectual Freedom (OIF), Stan Lee speaks out against the banning of comic books, just in time for Banned Books Week. You can watch the video at THIS LINK.

It's Banned Books Week!

The freedom to read whatever we want is something many of us take for granted. That's why there is an annual awareness campaign called Banned Books Week. 
 

Image via http://www.tophermacdonald.com

Begun in 1982 by Judith Krug, a First Amendment and library activist, Banned Books Week takes place every September and is sponsored by the American Library Association (ALA). The campaign goes beyond libraries, however. It also promotes the freedom to read in schools and bookstores all across the country.

"By focusing on efforts across the country to remove or restrict access to books, Banned Books Week draws national attention to the harms of censorship," according to the ALA website. "While books have been and continue to be banned, part of the Banned Books Week celebration is the fact that, in a majority of cases, the books have remained available."

Books tend to be banned because someone in the local community, often the parent of a school-aged child, objects to their presence in a school or library because of their content, which this person deems inappropriate for children. Objectionable content often has to do with language, sexual references or imagery, representations of homosexuality, allusions to witchcraft, and more.

However, before a book is banned, it is first challenged. In response to librarians facing book or material challenges, the Intellectual Freedom Committee stated in 1986 that challenges can come in the form of 1) an expression of concern; 2) an oral complaint; 3) a written complaint; 4) a public attack; or 5) outright censorship, all because someone objects to the book's content.

Books challenged on the basis of their content have included The Great Gatsby by F. Scott Fitzgerald; The Catcher in the Rye by J.D. Salinger; To Kill a Mockingbird by Harper Lee; The Color Purple by Alice Walker; Their Eyes Were Watching God by Zora Neale Hurston; One Flew Over the Cuckoo's Nest by Ken Kesey; And Tango Makes Three by Justin Richardson and Peter Parnel; the Harry Potter series by J.K. Rowling; and Forever by Judy Blume.

Despite the opposition to these books' content, they have continued to remain available. "This happens only thanks to the efforts of librarians, teachers, students, and community members who stand up and speak out for the freedom to read," according to the ALA on its website.

Banned Books Week is September 21 to 27, 2014. On the occasion of this year's celebration, express your freedom to read by proudly reading a banned book.

My First American Library Association Conference

Well, technically, it was the ALA Midwinter Meeting. Still, it was the first national library event and ALA meeting that I have ever attended, and I was very excited. 
 

The Penguin Book Truck parked inside the Philadelphia Convention Center.
Photo taken by the author of this blog.

Part of the reason for my excitement was that the ALA Midwinter Meeting was taking place in Philadelphia, Pennsylvania, a city I've never visited before. So I arrived a couple days early in order to hit up local hotspots and do touristy stuff before attending the annual meeting on Saturday, January 25, 2014.
 

The Next Page, whose profits benefit the Free Library of Philadelphia.
Photo taken by the author of this blog. 

Of course I went to see the Liberty Bell, but I also checked out the Edgar Allan Poe National Historic Site and stopped by a few bookstores, including the independent Joseph Fox Bookshop and the Next Page, a bookstore whose funds go toward supporting the Free Library of Philadelphia. I also ate at a few vegan restaurants - Vedge, Soy Cafe, HipCityVeg - where both the food and the service were excellent, and while in the city, I caught the garage rock band The Detroit Cobras at Johnny Brenda's, a live-music venue with a great vibe.
 

The 2nd Floor of the Philadelphia Convention Center, where sessions took place.
Photo taken by the author of this blog. 

So when my day to attend the ALA Midwinter Meeting arrived, I was a wee bit exhausted. (TIP: Get enough rest the night before a conference.) But slight fatigue did nothing to dampen the enthusiasm of a first-time attendee. It helped tremendously that I had planned my schedule for Saturday ahead of time, so I didn't feel too overwhelmed upon entering the Philadelphia Convention Center. From 8:30 a.m. to 5:30 p.m., I knew where I wanted to go and what sessions I wanted to attend. I was able to go to most of them. (TIP: Arrive at a conference session early because seating is limited.) It felt like a very productive day.
 

Many brightly colored exhibitor booths on the convention floor.
Photo taken by the author of this blog.

A bonus of attending a national library event is that publishers who are exhibiting offer a lot of free stuff at their booths (galleys of soon-to-be-published titles, bookmarks and buttons, and sweet things to eat). Or they sell their books at a deeply discounted price to conference-goers. One big-name publisher was selling brand-new paperbacks for $1 each and hardcovers for $5 each. I had to pick my jaw up off the floor. I ended up buying The Mayor of MacDougal Street: A Memoir by Dave Von Ronk and Crochet at Play: Fun Hats, Scarves, Clothes, and Toys for Kids to Enjoy by Kat Goldin. With such great deals on good books, it was tempting to buy more than you should. Indeed, I saw many of my fellow conference-goers sagging under ALA tote bags weighted with books and free goods.
 

Goodies brought back from the ALA Midwinter Meeting and Philadelphia.
Photo taken by the author of this blog.

I left the Philadelphia Convention Center shortly after the last session, which was the ALA Presidential Candidates Forum in which two candidates for ALA president, Sari Feldman and Mary Farrell, introduced themselves and their viewpoints to the voting ALA membership. I just barely made it to the train station in time due to the long line at the coat and baggage check (despite the two volunteers busting their butts to retrieve people's things) and the long wait for a cab outside the convention center. (TIP: If you have to catch a scheduled flight or train, leave the conference location earlier than you think you need to in order to avoid any additional stress.) Fortunately, however, I did arrive to the station in time but it didn't matter - my train was delayed due to a major snowstorm that had hit the northeastern United States a few days earlier. The whole northeastern corridor was still straightening itself out after having been walloped with the white stuff.

My first American Library Association conference was an eye-opening experience and a positive one. I not only took advantage of the expertise of veterans in the field of librarianship, but I also had the pleasure of making new connections with others like me who are about to enter their last semester of library school or who are newly graduated from library school. I like to think that we can be a source of support - and be a resource - for each other. Another thing I'm glad I did was having business cards made beforehand; being able to exchange cards makes keeping in touch so much easier. I was also made aware of things I need to work on personally: being more comfortable talking about myself and being more at ease with talking before a crowd. I know that both will come with time and practice. In the meantime, I'll be looking forward to my next library conference! Still got enough business cards left over...

Librarian: 'I don't hire based on school'

As you already know, I'm in library school. It's accredited by the American Library Association (ALA), but it's not the most expensive library school in the region. That's good for my wallet, but my classmates and I wonder if that's good for our future job prospects. After all, for many people, most expensive equals best quality. This goes for cars, clothes, and even schools. Fortunately, where you went to library school won't be a big factor when librarians consider you for a job.
 

Library work experience matters more than where you went to library school.
Image of Lego library via manliuscoralreef.blogspot.com

At least one librarian has gone on record saying where you went to library school won't matter. In an interview posted on the Hiring Librarians website, an academic librarian who has been a hiring manager and member of a search committee was asked, "Which library schools give candidates an edge (you prefer candidates from these schools)?" In response, the librarian said, "I don't hire based on school." When further probed with the question "Are there any library schools whose alumni you would be reluctant to hire?," the librarian said, "No."
  

What skills and experience do you need to get a job at a library?
Image of Lego library via mrlibrarydude.wordpress.com

So if the librarian doesn't hire based on school, what DOES matter when you are up for a job? For the academic librarian, who works with 10 to 50 staff members at a library in the Midwestern United States, it matters that you have:
 

• Library work experience
• Conference presentation
• Other presentation
• Student organization involvement
• Teaching assistant/other instructional experience

Talking about library work experience, the librarian admitted, "I think most skills are learned on the job." But that's not to discredit the skills and knowledge acquired in the classroom. What's learned in the course of a library school education can be quite relevant. Some coursework is even considered as crucial by many hiring managers. When asked "What coursework do you think all (or most) MLS/MLIS holders should take, regardless of focus?," the librarian replied:
 

• Cataloging
• Budget/accounting
• Grant writing
• Project management
• Collection management
• Reference
• Outreach
• Instruction
• Field work/internships

This is very good to know. Past courses have given me an introduction to cataloging and reference, and the entirety of library school thus far has been a lesson in project management. Next semester, I'm taking a class in collection management. And although I don't have the daytime hours for fieldwork or an internship, I have volunteered (and will continue to volunteer) at archival institutions in my free time in order to gain current work experience.

To read the full interview with the academic librarian, which includes advice for students who want to make the most of their time in library school, see the Hiring Librarians post at THIS LINK.

For Banned Books Week: Essential LGBT Literature

Hooray! Banned Books Week is underway! Happening September 22 through 28, this is a nationwide celebration of everyone's freedom to read whatever books they want. This annual event also brings attention to censorship when it comes to books that are challenged or outright banned because of their content.

In Our Mothers' House, a children's book on a multiracial family headed by a lesbian couple, is routinely on banned books lists, according to the ACLU.

"Challenges are motivated by a desire to protect children from 'inappropriate' sexual content or 'offensive' language," according to the American Library Association (ALA). These challenges are typically brought forth by members of the local community who object to a school or library carrying a particular title. Many titles that have been objected have an LGBT focus. Two recent examples are children's books Tango Makes Three and In Our Mothers' House, reported the American Civil Liberties Union (ACLU).

In honor of Banned Books Week, I'm sharing with you a list of LGBT works of nonfiction that many people consider essential and that everyone should be allowed to read. Compiled by Flavorwire, this list includes:

The Gay Metropolis: The Landmark History of Gay Life in America, by Charles Kaiser
"Kaiser's historical look at how gay men informed the culture of America's urban areas - particularly New York City - spans 56 years from the periods of silent acceptance, the tumultuous pre-Stonewall years, the empowering '70s, and the AIDS crisis of the '80s" - Flavorwire

Before Night Falls/Antes que anochezca, by Reinaldo Arenas
"The internationally renowned poet shares his life story, from his adolescence spent fighting for the Castro regime to his imprisonment for his sexuality to his flight from Cuba to his deathbed in New York City" - Flavorwire (The 2000 film adaption alerted the world to the awesomeness that is Javier Bardem!)

Lost Prophet: The Life and Times of Bayard Rustin, by John D'Emilio
"Bayard Rustin was responsible for teaching the principles of nonviolent protest to Martin Luther King Jr., yet his status as an openly gay man in the midst of the civil rights movement kept him from being recognized for the efforts and activism he accomplished" - Flavorwire

And the Band Played On: Politics, People, and the AIDS Epidemic, by Randy Shilts
"Shilts' indelible and controversial reporting on the AIDS epidemic not only reveals the origins of the virus' spread but also examines the ramifications of the medical community and the government's ignorance of the crisis" - Flavorwire (This book was also adapted into a movie, in 1993.)

Sister Outsider, by Audre Lorde
"This collection of speeches and essays from the influential and outspoken Audre Lorde touches on racism, sexism, and homophobia without losing a sense of hope for positive results in the face of class struggles" - Flavorwire (Also worth reading is Lorde's autobiography, Zami: A New Spelling of My Name.)

Fun Home: A Family Tragicomic, by Alison Bechdel
"Alison Bechdel's gorgeous and heartbreaking graphic memoir follows the artist as she grapples with both her own sexuality and the revelation that her cold, distant father led a secret life as a gay man" - Flavorwire (If you're a fan of graphic novels/comics, check out Bechdel's Dykes to Watch Out For, her long-running comic series that also comes in book form.)

Ceremonies, by Essex Hemphill
"Hemphill's collection of poetry and commentary tackles the experience of being an African American and a gay man in a society that refuses to accept both" - Flavorwire (For more on the late poet and activist, watch Tongues Untied, the 1989 semi-documentary directed by Marlon Riggs.)

Gender Outlaw: On Men, Women, and the Rest of Us, by Kate Bornstein
"Legendary transgender activist and writer Kate Bornstein details her transition from a heterosexual man to a lesbian woman in this modern classic about challenging gender and cultural norms" - Flavorwire

See Flavorwire's entire list of "25 Essential Works of LGBT Non-Fiction" HERE.

Extraordinary Women in Library History

A woman made history as the first black supervising librarian in the entire New York Public Library system. She also co-founded a theater company, was a playwright, and hosted dinners that brought together many of the intellectuals and writers active in the Harlem Renaissance. She was even recognized at the 1939 World's Fair. Who was this extraordinary woman? Regina M. Anderson.

Regina M. Anderson, the first black supervising librarian at NYPL.
Image via http://womenoflibraryhistory.tumblr.com

Anderson and other trailblazers are profiled in Women of Library History, a blog created by the Feminist Task Force (FTF). A division of the American Library Association, the FTF started the blog "to remember the contributions of these important women in librarianship." Women such as Lora Lashbrook, the first female librarian at the all-male University of Notre Dame Law School; Jane Van Arsdale, who was the first curator of one of the first rare book collections in a public library in the United States; and the women of the Everett Woman's Book Club, of Everett, Washington, who founded the city's first library in 1898.

Although created for Women's History Month 2013, the Women of Library History blog is still up and running. It's just four pages long, but it contains a wealth of information that will surely benefit anyone writing a paper on women in library history or those who are simply curious about the subject. You can access the Tumblr blog Women of Library History at THIS LINK.

More on the incredible life of librarian Regina M. Anderson is HERE and HERE.

The 10 Best Books for Young Feminists

At a book festival last year, I bought Rookie Yearbook One, edited by Tavi Gevinson. I had heard about Rookie, the online magazine for teenage girls that Gevinson started in 2011 to fill the gaping void left by the absence of Sassy, the late '80s/early '90s glossy that spoke to girls about sex and sexuality, politics and activism, current events and more without being coy or condescending.

"Our content respects a kind of intelligence in the readers that right now a lot of writing about teenage girls doesn't," Gevinson told the New York Times in 2011. Indeed, Rookie has gone on to cover street harassment, transgenderism, bodily functions such as menstruation, drug and alcohol abuse, surviving in a small town, coming out, and being biracial while also featuring interviews with Aubrey Plaza, John Waters, Joss Whedon, David Sedaris, Daniel Clowes and others, and how-tos on zine making, thrift store shopping, and more.

The best of Rookie's online content has been gathered in Rookie Yearbook One, published in 2012 by Drawn & Quarterly. Flipping through it at the book festival and later in the comfort of my home, I caught myself smiling at the clever, self-aware writing and being thankful that teenage girls today have a publication that speaks to them intelligently about weighty matters and encourages them to be whole human beings. For this reason, I'm not surprised that Rookie Yearbook One is among "The 10 Best Books of the Year for Young Feminists" as determined by the Amelia Bloomer Project, which is part of the American Library Association.

In addition to Rookie Yearbook One, other books the Amelia Bloomer Project picked as being among the best for young feminists include A Little F'd Up: Why Feminism Is Not a Dirty Word, by Julie Zellinger; Grace and Grit: My Fight for Equal Pay and Fairness at Goodyear and Beyond, by Lilly Ledbetter; Dolores Huerta: A Hero to Migrant Workers, by Sarah E. Warren; and Womanthology: Heroic, by various authors. These books and five more were selected for their significant feminist content, excellence in writing, appealing format, and age appropriateness for young readers.

To see all 10 of the best books for today's young feminists, go to THIS LINK.

* Above image from rookiemag.com

Random House Says Libraries Own Its E-Books

Of all the "Big Six" book publishers, Random House is the only one that has held fast to its stance on libraries' ownership of its e-books. Last year, Ruth Liebmann, director of account marketing at Random House, told attendees at a library panel, "A library book does not compete with a sale. A library book is a sale." And just last month, Skip Dye, RH's vice president of library and academic marketing and sales, reiterated to Library Journal, "Random House's often repeated, and always consistent, position is this: when libraries buy their RH, Inc., e-books from authorized library wholesalers, it is our position that they own them."

        Book publisher Random House has not waivered in its long-held assertion that libraries own its electronic titles. (Image via http://www.applebitch.com)

Random House's belief that libraries own its e-books is in stark contrast to the viewpoint held by the other big book publishers, especially Penguin, which feel "the ready download-ability of library e-books could have an adverse effect on sales," according to Molly Raphael, president of the American Library Association (ALA). As a result, they've developed an increasingly adversarial relationship with libraries, finding more ways to limit libraries' access to popular electronic titles, or even going as far as refusing to offer any of their e-books to libraries for fear of lost sales. That Random House has confidently allowed libraries continuous access to its electronic titles is commendable. 

Yet, this action doesn't completely absolve Random House of accusations of greed. Earlier this year, it drastically raised the prices of its e-books - in some cases, as much as 300 percent - eliciting both exasperation and consternation from librarians across the country and the world. The South Shore Public Libraries system in Bridgewater, Nova Scotia, Canada, actually  boycotted Random House e-books in the wake of the steep price increase. "I don't want to pick a fight with them," said Troy Myers, chief librarian of South Shore Public Libraries, "but their pricing's unfair and I think they need to change it." Despite calls from the ALA to reconsider the price increase, Random House has, as of yet, not done so. I doubt it will. After all, once prices go up, they're not very likely to come down.